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norakaszanyi
norakaszanyi: “ I S O M E T R I C W O R L D O F P A T T E R N S 40x60 cm by Nora Kaszanyi ”
norakaszanyi

I S O M E T R I C   W O R L D   O F   P A T T E R N S 
40x60 cm

by Nora Kaszanyi

graphic design geometric Illustration poster

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ESCIF - BATALLA CAMPAL

What I love about Escif’s work is it’s ability to deal with weighty issues in a often non confronting way. Escif’s has a particular way with illustrative forms of storytelling, translating an evolving understanding of global thoughts/politics onto a wall .

This new Escif illustration ”Batalla Campal” translates as ‘Royal Battle’ - it plays like an urban toile – moving in for the closer inspection you’ll find hidden in the repeating decoration the crux of the message.

illustration

Michelere Ginaldi Morphologies of Verticality:

The individual constructions do not have their own titles, rather they fall into four different groups: morphologies around the circle, morphologies of verticality, light structures and constructions for architecture. Each group is generated by a different logic, e.g. the circle-related constructions all count on the constant presence of a basic form, the verticality models all derive from the relentless study into the question of proportions, while the dominant theme in the light structures is the relationship between organism and environment, and constructions for architecture can all be applied to design conditions. The constructions are made of brass and vary in size from a 15-cm diameter to a height of 60 cm.

Source: michelereginaldi.it Scultpure geometric
The practice of many, if not most, artists who work with the digital medium today is extremely hybrid. They may create online projects but they might also do object-based art, paintings or sculptures that are deeply informed by or use elements of the net or its “language,” which is what the term postinternet tries to capture. I have issues with the term since it postulates a temporality that simply doesn’t hold up—we are by no means “after” the internet—but it still captures a very real and important condition, a fusion of the material and immaterial that is different from anything we have seen before. The Internet of Things and James Bridle’s New Aesthetic are both expressions of that. (Sadly I now frequently see postinternet used as a catchy term for art made by anyone born roughly after 1985 or for a sensibility characterized by an uncomplicated reverence for fame and success.)
http://rhizome.org/editorial/2015/aug/10/artport-interview-christiane-paul/
post internet new media
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